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Costume Design |
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| Resume | |||||
| THEATRE: | |
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2013 |
The Rainmaker, Richard Nash, dir. Maria Mileaf, Old Globe Theatre, San Diego |
| Where We’re Born, Lucy Thurber, dir. Jackson Gay, Rattlestick Theatre, NYC | |
| The Great God Pan, Amy Herzog, dir. Maria Mileaf, Juilliard School | |
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2012 |
Twenty-Seventh Man, Nathan Englander, dir. Barry Edelstein, Public Theater, NYC |
| Lovely Head, Neil LaBute, dir. Marco Calvani, La Mama, NYC | |
| Things of this World, Marco Calvani, dir. Neil LaBute, La Mama, NYC | |
| Abigail/1702, Roberto Aguirre-Sacasa, dir. David Esbjornson, NY Stage and Film | |
| Blithe Spirit, Noel Coward, dir. Mark Rucker, CalShakes, Berkeley, CA | |
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2011 |
The Letters of Mercy Otis Warren, Yale Art Gallery, New Haven |
| Amadeus, Peter Shaffer, Dir. John Moscone, Alley Theater, Houston, TX | |
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Sinatra Dance with Me, Dir. Twyla Tharp, Wynn Encore Theater, Las Vegas, NV |
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Timon of Athens, Shakespeare, Dir. Barry Edelstein, Pubic Theater, NYC |
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2010 |
Come Fly Away, Dir. Twyla Tharp, Marquis Theater, Broadway, NYC |
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2009 |
Come Fly with Me, Dir. Twyla Tharp, Alliance Theater, Atlanta, GA. |
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Private Lives, Noël Coward, Dir. Mark Rucker, CalShakes, Berkeley, CA |
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Night Sky, Susan Yankowitz, Dir. Daniella Topel, New York, NY |
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Zooman and the Sign, Charles Fuller, Dir. Stephen Henderson, Signature Theatre, NYC |
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Redhand Guitar, Evan & Mike Yionoulis, Dir. Evan Yionoulis, Arena Stage (workshop) |
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2008 |
Eurydice, Sarah Ruhl, Dir. Jonathan Moscone, Milwaukee Rep |
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Sleeping Country, Melanie Marnich, Dir. Rucker, Cincinnati PlayHouse |
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A Midsummer Night’s Dream, Shakespeare, Dir. Rucker, Oregon Shakespeare Festival |
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2007 |
Sore Throats, Howard Brenton, Dir. Evan Yionoulis, Theatre for a New Audience, NYC |
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The Joan Rivers Project, Joan Rivers, Dir. Rucker, Magic Theater, San Francisco, CA |
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The Constant Wife, Maugham, Dir. Rucker, Asolo Repertory, Sarasota, FL |
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Pride & Prejudice, adapt. Catherine Sheehy, Dir. Stan Wojewodski, Dallas Theater Center |
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Richard III, Shakespeare, Dir. Rucker, California Shakespeare Festival, Berkeley, CA |
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Blithe Spirit, Noel Coward, Dir. Maria Mileaf, Williamstown Theatre |
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Pride & Prejudice, adapt. Sheehy, Dir. Rucker, Asolo Repertory |
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Dark Matters, Roberto Aguire-Secasa, Dir. Trip Cullman, Rattlestick Theatre, NYC |
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2006 |
A Nervous Smile, John Beluso, Dir. Mileaf, Williamstown Theatre |
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A Steady Rain, Keith Huff, Dir. Cullman, New York Stage & Film |
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Arabian Night, Roland Schimmelpfennig, Dir. Cullman, The Play Company, NYC |
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As You Like It, Shakespeare, Dir. Moscone, California Shakespeare Festival, Berkeley, CA |
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Underneath the Lintel, Glen Berger, Dir. Mileaf, West End, London, UK |
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Underneath the Lintel, Glen Berger, Dir. Mileaf, George Street Playhouse, New Brunswick, NJ |
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2005 |
The Real Thing, Tom Stoppard, Dir. Yionoulis, Huntington Theatre, Boston, MA |
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The Sugar Syndrome, Lucy Prebble, Dir. Mileaf, Williamstown Theatre |
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The Argument, Alexandra Gerston-Vassilaros, Dir. Mileaf, Vineyard Theatre |
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The Mystery of Irma Vep, Charles Ludlam, Dir. Jonathan Moscone, Intiman Theatre |
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2004 |
Sakharam Binder, Tandulkar, Dir. Mileaf, Play Company, NYC |
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The Importance of Being Earnest, Dir. Moscone, California Shakespeare Company |
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2003 |
Rough Crossing, Stoppard, Dir. Stan Wojewodski Jr., Old Globe Theatre |
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Julius Caesar, Dir. Moscone, California Shakespeare Company |
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Monsieur Ibrahim and the Flowers of the Koran, Eric Emmanuel Schmitt, Dir. Mileaf, Play Company |
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2002 |
Happy Days, Dir. Joseph Chaikin, Cherry Lane Theatre |
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The Seagull, Dir. Moscone, California Shakespeare Company, Bay Area Theatre Critics Circle Award nominee |
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You Never Can Tell, Dir Wojewodski, Yale Repertory |
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2001 |
Romeo and Juliet, Dir Mark Rucker, California Shakespeare Company |
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Breath, Boom, Kia Corthron, Dir. Marion McClinton, Playwrights Horizons, New York |
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Way of the World, Dir. Wojewodski, Yale Repertory Theatre, New Haven |
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2000 |
Hard Feelings, Neena Beber, Dir. Mileaf, Women’s Project and Productions, New York |
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Christmas Carol, Dir. Moscone, Dallas Theater Center, Dallas |
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Richard III, Dir. Wojewodski,, Yale Repertory Theatre, New Haven |
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The Mystery of Irma Vep, Dir. Moscone, Dallas Theater Center, Dallas |
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1999 |
Trestle at Pope Lick Creek, Naomi Wallace, Dir. Lisa Peterson, New York Theater Workshop, New York |
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The Chemistry of Change, Marlane Meyer, Dir. Peterson, Playwrights Horizons/Women’s Project and Productions, NY |
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Alice: Tales of a Curious Girl, Karen Hartmann, Dir. Moscone, Dallas Theatre Center |
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1998 |
As Five Years Pass, Dir. Michael John Garces, INTAR Hispanic American Arts Center, New York |
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The Shoemaker’s Prodigious Wife, Dir. Max Ferra, INTAR, New York |
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The House of Bernarda Alba, Dir. Ferra, INTAR, New York |
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They Still Mambo in Havana, Rogelio Martinez, Dir. Eduardo Machado, Bat Theatre, New York |
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Cuba and the Night, Machado, Dir. Martinez, Theatre for a New City, New York |
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Once Removed, Machado, Dir. Tim Cunningham, Playwrights’ Collective, New York |
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An Ideal Husband, Dir. Moscone, Dallas Theatre Center, Dallas |
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1997 |
Splash Hatch on the E Going Down, Kia Corthron, Dir. McClinton , Center Stage & Yale Repertory, Baltimore & New Haven |
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Billy The Kid, Michael Ondaatje, Dir. Richard Hamburger, Dallas Theatre Center, Dallas |
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The Model Apartment, Donald Margulies, Rucker , La Jolla Playhouse, San Diego, CA |
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Das Barbecu, Dir. Moscone, Portland Stage Company, Portland, ME |
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Tatiana in Color, Julia Jordan, Dir. Lizzie Gottleib, Actors’ Studio, New York, NY |
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Dracula, Steven Dietz, Dir. Rucker, Old Globe Theatre, San Diego, CA |
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The Triumph of Love, Marivaux, Dir. Rucker, South Coast Repertory Theatre, Costa Mesa, CA |
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1996 |
Indiscretions, Dir. Moscone, Dallas Theatre Center, Dallas, TX |
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Angels in America—Perestroika, Dir. Hamburger, Dallas Theatre Center |
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Galileo, Dir. Irene Lewis, Center Stage, Baltimore, MD |
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Habeas Corpus, Alan Bennett, Dir. Anna Dolan, Bard College, Annandale-on-Hudson, NY |
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Angels in America—Millennium Approaches, Dir. Hamburger, Dallas Theatre Center |
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Arms and the Man, Dir. Moscone, Dallas Theater Center |
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The Sternheim Project, Sternheim, Dir. Hamburger, Dallas Theater Center |
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1995 |
The Model Apartment, Margulies, Dir. Peterson, Primary Stages, New York, NY |
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Cloud 9, Churchill, Dir. Laura Drake, Hunter College, New York, NY |
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Kingfish, Marlane Meyer, Dir. Moscone, Magic Theatre, San Francisco, CA |
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A Family Affair, Ostrovsky, Dir. Wojewodski, Jr., Dallas Theater Center |
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I Love New York, Yamaguchi, Dir. Alkis Papoutsis, Hunter College, NYC |
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1994 |
On the Razzle, Tom Stoppard, Dir. Rucker, Indiana Rep, Indianapolis, IN |
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Twelfth Night, Dir. Papoutsis, Hunter College, NYC |
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The Loop, Warren Leight also Dir., Alice’s Fourth Floor, NYC |
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Merry Wives of Windsor, Dir. Rucker, Shakespeare Santa Cruz, Santa Cruz, CA |
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Eccentricities of a Nightingale, Dir. Melissa Smith, New School, NYC |
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Comedy of Errors, Dir. Jonathan Wald, Nada, NYC |
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Our Country’s Good, Wertenbaker, Dir. Elizabeth Swain, Barnard College, NYC |
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1993 |
Damn Yankees, Abbott & Wallop, Dir. Rucker, Shakespeare Santa Cruz |
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Marriage of Figaro, Dir. Kamyar Atabai, Yale University Undergraduate Opera, New Haven, CT |
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Terra Incognita, Fornes, Dir. Moscone, Yale Cabaret, New Haven, CT |
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1992 |
Macbeth, Dir. Rucker, Shakespeare Santa Cruz |
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Hamlet, Dir. Wojewodski, Jr., Yale Repertory Theatre |
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Dark Ride, Len Jenkin, Dir. Rucker, Yale Cabaret, New Haven, CT |
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The Merchant of Venice, Dir. Moscone, Yale School of Drama; director’s workshop |
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1991 |
Stage Door, Veiller & Ryskind, Dir. Rucker, Yale School of Drama |
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Medeamachine, Müller, Dir. Marya Mazor, Yale Cabaret |
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Dutchman, Baraka, Dir. Carole Seigal, Yale Cabaret |
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Chester and Grace, Weston, Dir. Mona Lang, Cortland Repertory Theatre, Cortland, NY |
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FILM: |
Some Velvet Morning, Dir. Neil LaBute, Velvet Morning Productions, New York |
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Exiles in New York, Dir. Machado, Racing Blind Productions, New York |
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Substance of Fire, Jon Robin Baitz, Dir. Daniel Sullivan, Des. Jess Goldstein, (Assistant Designer) |
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TELEVISION: |
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1999–2007 |
All My Children, associate costume designer, ABC Television, New York |
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AWARDS: |
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2010 |
Hewes Design
Award, nominee (Come Fly Away) |
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2008 |
Sarasota Magazine Critic’s Choice Award, Nominee (Pride & Prejudice) |
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2007 |
Sarasota Magazine Critic’s Choice Award, Nominee (Constant Wife) |
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2005 |
Daytime Emmy for Outstanding Costume Design, Nominee (All My Children) |
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2004 |
San Diego Theatre Critics’ Circle Nominee (Importance of Being Earnest) |
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Bay Area Theatre Critics Circle Award, Winner (Seagull) |
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Daytime Emmy for Outstanding Costume Design, nominee (All My Children) |
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2003 |
Outstanding Costume Design Award, San Diego Theatre Critics’ Circle (Rough Crossing) |
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Winner Daytime Emmy for Outstanding Costume Design, (All My Children) |
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2002 |
Winner Daytime Emmy for Outstanding Costume Design, (All My Children) |
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2001 |
Daytime Emmy for Outstanding Costume Design, nominee (All My Children) |
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2000 |
Daytime Emmy for Outstanding Costume Design, nominee (All My Children) |
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1999 |
Daytime Emmy for Outstanding Costume Design, nominee (All My Children) |
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1996 |
Leo Rabin Award, Outstanding Costume Design (Ideal Husband) |
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CONSULTING: |
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2009 |
StudioEIS, Inc., Period costume research and production for NASCAR. |
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2008 |
StudioEIS, Inc., Period costume research and production for bronze statue of Thomas Jefferson, commissioned by The Monticello Foundation |
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2006 |
Youthful Essence Infomercial with Susan Lucci, New York, NY |
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TEACHING: |
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1999 |
Exiles Theatre Training Program, University of Ulster, Cork, Republic of Ireland, Summer |
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1998 |
Exiles Theatre Training Program, University of Ulster, Coleraine, Northern Ireland, Summer |
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EDUCATION: |
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1993 |
M.F.A., Yale School of Drama, Design, New Haven, CT |
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1984 |
B.A., Vassar College, English Literature, Poughkeepsie, NY |
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1979 |
Hebrew University, History, One-Year Program. |
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Copyright © 2013 Katherine Roth. All rights reserved |